Swordfish. Uno de los mejores openings
En mi humilde opinion a pesar de las exageraciones sobre los hackers y eso de que se hackea con interfases graficas con cubitos y rombos y efectos graficos para los no iniciados, la pelicula es bastante entretenida. El papel del joven Hugh Jackman es bastante exagerado pero sirve para su proposito.
Cuatro cosas son las que le dan vida a esta peli:
- Halle Berry de lingerie Spy
- La entrevista en la que Hugh Jackman consigue “el trabajo”
- La explosion en 360 grados
- Y como olvidarnos del increible dialogo de Gabriel Shear (Travolta) en el opening de la peli, simplemente increible.
Les dejo el transcript y tras el salto unas fotos NSFW de la mencionada Ms. Berry (dije clarito NSFW asi que los menores al blog de DragonBall!)
Gabriel Shear:
You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I’m not some grungy wannabe filmmaker that’s searching for existentialism through a haze of bong smoke or something. No, it’s easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as “prose”. No, I’m talking about the lack of realism. Realism; not a pervasive element in today’s modern American cinematic vision. Take Dog Day Afternoon, for example. Arguably Pacino’s best work, short of Scarface and Godfather Part 1, of course. Masterpiece of directing, easily Lumet’s best. The cinematography, the acting, the screenplay, all top-notch. But… they didn’t push the envelope. Now what if in Dog Day, Sonny REALLY wanted to get away with it? What if – now here’s the tricky part – what if he started killing hostages right away? No mercy, no quarter. “Meet our demands or the pretty blonde in the bellbottoms gets it the back of the head.” Bam, splat! What, still no bus? Come on! How many innocent victims splattered across a window would it take to have the city reverse its policy on hostage situations? And this is 1976; there’s no CNN, there’s no CNBC, there’s no internet! Now fast forward to today, present time, same situation. How quickly would the modern media make a frenzy over this? In a matter of hours, it’d be biggest story from Boston to Budapest! Ten hostages die, twenty, thirty; bam bam, right after another, all caught in high-def, computer-enhanced, color corrected. You can practically taste the brain matter. All for what? A bus, a plane? A couple of million dollars that’s federally insured? I don’t think so. Just a thought. I mean, it’s not within the realm of conventional cinema… but what if?
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